Hollywould: ‘Saw,’ ‘Sandman,’ and ‘Black Panther 2’
Jul 8th '19

Hollywould: ‘Saw,’ ‘Sandman,’ and ‘Black Panther 2’

The film and television business moves at a mile a minute, so keeping up with the latest news can be a little daunting. Not to worry—we have your back. In Hollywould, we’ll round up the industry developments you need to know. Here’s what you may have missed: Saw Chris Rock’s Saw reboot has snagged Samuel L. Jackson, […]

Hollywould: ‘Rick and Morty,’ ‘Saw,’ and ‘The Invisible Man’

Hollywould: ‘Rick and Morty,’ ‘Saw,’ and ‘The Invisible Man’

The film and television business moves at a mile a minute, so keeping up with the latest news can be a little daunting. Not to worry—we have your back. In Hollywould, we’ll round up the industry developments you need to know. Here’s what you may have missed: Rick and Morty The beloved sci-fi comedy/depression extravaganza […]

You Need To See This Movie: ‘Upgrade’

You Need To See This Movie: ‘Upgrade’

Leigh Whannell and James Wan are names that have frequently been associated in the horror genre for over a decade, getting their big break with Saw in 2004. Since then, the duo has collaborated on multiple projects and films, like Insidious, that spawn a franchise in which Whannell has had a large part in every installment. […]

Talking Back: Killing the Noise

Talking Back: Killing the Noise

There’s been a lot of discussion of horror here at the Control Forever office over the past month or so. A Quiet Place in particular got a lot of us a little riled up with conflicting opinions, even though we all seem to have basically liked it. Even my dear friend Dyllan admitted the film was alright, […]

Get Out & the Horror Stepping Stones

Get Out & the Horror Stepping Stones

The recent success of Jordan Peele’s 2017 film, Get Out, has the Academy looking at horror films a bit differently. Taking home the gold for Best Original Screenplay and receiving nominations for Best Director and Best Picture, Get Out joins horror cornerstones, along the likes of William Friedkin’s The Exorcist (1973) and Jonathan Demme’s Silence of […]